Things I Didn't Know I Loved*
* If you are a dreamer, come in.
If you are a dreamer, a wisher, a liar,
A hope-er, a pray-er, a magic bean buyer...
If you're a pretender, come sit by my fire
For we have some flax-golden tales to spin.
Come in! Come in!
(Shel Silverstein)
March 07, 2006
Margaret Atwood
I don't understand why this woman is better known as a novelist than as a poet.(I take this as an indication of the general huge disparity in numbers between fiction readers and poetry readers,rather than of the relative quality of her two - for lack of a less uppity phrase - 'forms of expression'.)Read: strongly disliked the couple of her novels that I read, but love a lot of her poems. Here's one of my favourites.Variations on the Word Love'This is a word we use to plugholes with. It's the right size for those warmblanks in speech, for those red heart-shaped vacancies on the page that look nothinglike real hearts. Add laceand you can sellit. We insert it also in the one emptyspace on the printed formthat comes with no instructions. There are wholemagazines with not much in thembut the word love, you canrub it all over your body and youcan cook with it too. How do we knowit isn't what goes on at the cooldebaucheries of slugs under damppieces of cardboard? As for the weed-seedlings nosing their tough snouts upamong the lettuces, they shout it.Love! Love! sing the soldiers, raisingtheir glittering knives in salute.
Then there's the two
of us. This word
is far too short for us, it has only
four letters, too sparse
to fill those deep bare
vacuums between the stars
that press on us with their deafness.
It's not love we don't wish
to fall into, but that fear.
This word is not enough but it will
have to do. It's a single
vowel in this metallic
silence, a mouth that says
O again and again in wonder
and pain, a breath, a finger
grip on a cliffside. You can
hold on or let go.'
More Atwood-the-poet here.
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